However, there are reasons to choose XLR microphones over USB models. If you’re usually recording in an echoey room, this noise-killing dynamic microphone is a great choice. Right now the Audio-Technica ATR-2100-USB (sold in Europe as the Samson Q2U) seems to be the best buy for a lot less money than the Yeti, you can get a USB microphone that doubles as an XLR microphone for more complex set-ups, with a built-in headphone jack. I’ve recommended the Blue Microphones Yeti for years after using one myself for several years, and it’s still a great balance of quality and price.īut as Marco Arment points out in his microphone mega-review, there are a lot of other good options. They’re easy to use and convenient-just plug it in to your computer and start recording. The USB/XLR choiceįor most podcasters on a budget, the right microphone is almost certainly a USB microphone. I reviewed five low-cost USB audio interfaces in a search to find the best of the many options. Unfortunately, there are so many options that it can be dizzying. Fortunately, there are good options to be found even if you’re on a tight budget. JBL (3) Mackie (3) Onlyfactorydirect.If you’re podcasting or recording voiceovers for video, you need a good microphone. It also allows you to track in mono or stereo. Zero latency recording is possible by routing the input directly into the monitors and into the computer simultaneously, reducing any audible delay from player to computer (allowing the computer buffer to be directed towards the CPU). Importantly, the gain staging within the unit means that the preamp circuitry is correctly matched to the A-D conversion, to sustain headroom while minimizing noise and distortion. The BlackJack performed well with sampling rates of up to 95kHz, and the playback quality has proven to be excellent. The 24-bit Cirrus Logic converter is capable of a 114dB dynamic range (A-Weighted), which is way beyond the signal-to-noise spec of most studio gear. Power for the circuitry comes from the USB port, so there’s no need for a separate PSU.
Onyx preamps rival even the most expensive boutique mic preamps for sound quality due to the Cirrus Logic converter. Additionally, the Onyx preamps have a full 60db gain, improved radio frequency (RFI) rejection and an ultra-wide dynamic range. The Onyx preamps are designed to go beyond standalone microphone preamps in headroom, transparency, and fidelity.
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